'Reclaiming Feminine Bureau' identifies female agency as a central theme of recent feminist scholarship & offers 23 essays on artists & issues from the Renaissance to the present, written in the 1990s & subsequently.

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Author: Norma Broude

Publisher: Univ of California Press

ISBN: 9780520242524

Category: Art

Page: 478

View: 529

'Reclaiming Feminine Agency' identifies female agency as a central theme of recent feminist scholarship & offers 23 essays on artists & problems from the Renaissance to the present, written in the 1990s & afterward.

A New Economic system of Power Relations: Female Agency in the Middle Ages,' in Gendering the Principal Narrative: Women and Power in the Eye Ages, ed. ... xviii Broude and Garrard, Reclaiming Female Agency, this quote and the following on 1.

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Author: Andrea Pearson

Publisher: Routledge

ISBN: 9781351872263

Category: Fine art

Folio: 244

View: 947

Equally i of the first books to treat portraits of early modern women as a discrete subject, this volume considers the possibilities and limits of agency and identity for women in history and, with particular attention to gender, equally categories of analysis for women'due south images. Its nine original essays on Italia, the Depression Countries, Germany, France, and England deepen the usefulness of these analytical tools for portraiture. Amidst the volume'due south broad contributions: information technology dispels false assumptions about agency's possibilities and limits, showing how bureau can exist located exterior of conventional understanding, and, conversely, how it can be stretched also far. It demonstrates that agency is compatible with relational gender analysis, peculiarly when culling agencies such as spectatorship are taken into account. It also makes evident the importance of aesthetics for the study of identity and bureau. The individual essays reveal, among other things, how portraits broadened the traditional parameters of portraiture, explored transvestism and same-sex eroticism, appropriated aspects of male portraiture to merits those values for their sitters, and, every bit sites for gender negotiation, resistance, and fence, invoked considerable relational anxiety. Richly layered in method, the book offers an array of provocative insights into its field of study.

... they too began to focus on female autonomy and to deemphasize patriarchal oppression in Reclaiming Female Bureau: ... as active agents at every level—from artistic creation to patronage and reception, and equally a conceptual force that ...

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Writer: Martha Moffitt Peacock

Publisher: BRILL

ISBN: 9789004432154

Category: Fine art

Page: 532

View: 841

A novel and female empowering interpretive arroyo to these artistic archetypes in her analysis of Imaging Women of Consequence in the Dutch Golden Age.

She sees this emphasis as a means of reclaiming female agency from the discourses of the patriarchy, likening depictions of eroticised body parts to a blazon that expresses female sexual bureau through the repurposing of a masculine ...

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Author: Lucy Grand. Allen-Goss

Publisher: Boydell & Brewer

ISBN: 9781843845706

Category: Literary Collections

Page: 236

View: 430

An examination of female person same-sex desire in Chaucer and medieval romance.

In Reclaiming Female Agency: Feminist Art History After Postmodernism, edited past Norma Broude and Mary D. Garrard, 259-276. California: University of California Press, 2005. Broude, Norma and Mary D. Garrard, eds.

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Writer: Alexandra M. Kokoli

Publisher: Cambridge Scholars Publishing

ISBN: 9781443815116

Category: Social Science

Page: 293

View: 336

Feminism Reframed: Reflections on Art and Divergence addresses the on-going dialogue betwixt feminism, fine art history and visual culture from contemporary scholarly perspectives. Over the past thirty years, the critical interventions of feminist art historians in the academy, the printing and the fine art world have non only politicised and transformed the themes, methods and conceptual tools of art history, but accept also contributed to the emergence of new interdisciplinary areas of investigation, including notably that of visual culture. Although the bear upon of such fruitful transformations is indisputable, their verbal contribution to contemporary scholarship remains a affair for debate, not least because feminism itself has changed significantly since the Women'southward Liberation Movement. Feminism Reframed reviews and revises existing feminist fine art histories just also reasserts the need for continuous feminist interventions in the academy, the art world and beyond. With contributions by Anthea Behm, Alisia Grace Hunt, Jennifer G. Germann, Catherine Grant, Joanne Heath, Ruth Hemus, Alexandra Kokoli, Beth Anne Lauritis, Griselda Pollock, Karen Roulstone, Anne Swartz and Sue Tate. "Coming at the moment when contemporary art practices are themselves involved in re-cycling, re-evaluating and re-enacting the past, this collection asks how feminism's ain 'troubled' histories can exist reframed productively in the nowadays. The questions that feminism raised in the 1970s and 80s are still pertinent, and are addressed in a number of original essays: What does gender equality mean in the arts? How can women's subjectivities be articulated or performed differently in art practices? Can attention to gender enable us to engage with complex differences of race, sexuality and form, of historic period and generation? Do we need new interpretative and conceptual models for writing about fine art? Alexandra Kokoli's thoughtful and illuminating introduction reminds u.s.a. that reframing is a risky but heady business organisation if it makes us enquire these questions anew, with attention to the politics and aesthetics of the present." —Rosemary Betterton, Lancaster University

15Carol Meyers, 'Hannah and her Sacrifice: Reclaiming Female person Bureau', A Feminist Companion to Samuel and Kings (Athalya Brenner (ed.), The Feminist Companion to the Bible; Sheffield: Sheffield Academic, 1994), pp. 93–104 (101).

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Author: Roland Boer

Publisher: Bloomsbury Publishing

ISBN: 9780567497857

Category: Religion

Folio: 320

View: 804

The only large-scale critical introduction to Western Marxism for biblical criticism. Roland Boer introduces the core concepts of major figures in the tradition, specifically Althusser, Gramsci, Deleuze and Guattari, Eagleton, Lefebvre, Lukács, Adorno, Bloch, Negri, Jameson, and Jameson. Throughout, Boer shows how Marxist criticism is relevant to biblical criticism, in terms of approaches to the Bible and in the use of those approaches in the estimation of specific texts. In this 2d edition, Boer has added chapters on Deleuze and Guattari, and Negri. Each affiliate has been carefully revised to brand the book more useful on courses, while maintaining challenges and insights for postgraduate students and scholars. Theoretical material has been updated and sharpened in lite of subsequent research and a revised determination considers the economies of the ancient world in relation to biblical societies.

... 'Learning to Exist Looked at: The Portrait of (the Creative person every bit) a Immature Woman in Agnès Merlet'southward Artemisia', in Reclaiming Female Agency: Feminist Art History later on Postmodernism, ed. by Norma Broude and Mary Garrard (Berkeley: Academy ...

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Author: Merry Wiesner-Hanks

Publisher: Amsterdam University Printing

ISBN: 9789048550937

Category: History

Folio:

View: 646

Examining women'due south agency in the past has taken on new urgency in the current moment of resurgent patriarchy, Women'due south Marches, and the global #MeToo move. The essays in this collection consider women's agency in the Renaissance and early on modern catamenia, an era that likewise saw both increasing patriarchal constraints and new forms of women's actions and activism. They address a capacious set of questions about how women, from their teenage years through older adulthood, asserted agency through social practices, spoken communication acts, legal disputes, writing, viewing and exchanging images, travel, and community building. Despite family and social pressures, the actions of girls and women could shape their lives and challenge male-dominated institutions. This volume includes thirteen essays past scholars from many disciplines, which analyze people, texts, objects, and images from many different parts of Europe, likewise every bit things and people that crossed the Atlantic and the Pacific.

8 Come across, for example, Norma Broude and Mary D. Garrard, "Introduction: Reclaiming Female Bureau," in Reclaiming Female Agency:Feminist Art Later on Postmodernism, ed. Broude and Garrard (Berkeley, ca: University of California Press, 2005), ...

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Writer: Marice Rose

Publisher: BRILL

ISBN: 9789004289697

Category: Art

Page: 484

View: 298

Receptions of Artifact, Constructions of Gender in European Art, 1300-1600 examines the way in which late medieval and early modern visual culture engaged with Greek and Roman antiquity to construct and challenge contemporary gender norms.

Reclaiming Female person Agency", Reclaiming Female person Bureau. Feminist Art History after Postmodernism, Academy of California Press, Berkley, Los Angeles and London, 2005, 1-25 Broude, Norma and Garrard, Mary D. (eds), Reclaiming Female ...

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Author: Jessica Sjöholm Skrubbe

Publisher: Routledge

ISBN: 9781000527131

Category: Art

Folio: 248

View: 139

Based on hitherto disregarded archival material, this book reveals Nell Walden's meaning impact on the Sturm organisation through a feminist reading of supportive labour that highlights the axis of collaborative work inside the modern fine art world. This book introduces Walden equally an agog collector of modern and indigenous art and critically contextualises her own art production in relation to expressionist concepts of art and to gendered ideas on abstraction and decoration. Visual analyses highlight how she collaborated with professional and experimental women photographers during the Weimar era and how the circulation of these photographs served every bit a means to arbitrate in the public sphere of civilisation in interwar Frg. Finally, the book provides an analysis of Walden's continuing work for Der Sturm after her voluntary exile from Deutschland to Switzerland in 1933 and highlights the importance of women'southward supportive labour for the canonisation and institutionalisation of modern art in museums and archives. The book will exist of interest to scholars working in art history, visual studies, and gender studies.

In Reclaiming Female Bureau, 259–75 (Berkeley—Los Angeles: University of California Printing, 2005). Broude, Norma and Mary D. Garrard, 'Introduction: Reclaiming Female Agency'. In Reclaiming Female Agency: Feminist Art History after ...

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Author: Claire Moran

Publisher: Bloomsbury Publishing USA

ISBN: 9781501341717

Category: Architecture

Page: 352

View: 981

Domestic Space in France and Belgium offers a new addition to the growing torso of piece of work in Interior Studies. Focused on belatedly 19th and early 20th-century France and Kingdom of belgium, it addresses an overlooked expanse of modernity: the domestic sphere and its formulation and representation in art, literature and cloth culture. Scholars from the The states, Uk, France, Italy, Canada and Belgium offer fresh and exciting interpretations of artworks, texts and mod homes. Comparative and interdisciplinary, it shows through a series of case-studies in literature, fine art and architecture, how modernity was expressed through domestic life at the plough of the century in French republic and Kingdom of belgium.